Is this an example of a Neapolitan chord?Do Neapolitan chords exist in modes with a minor second?Tritone substitution in a ii-V-I progression and chord namesIs this an 8 bar blues chord progression? How to know if it is or isn't?Is this an acceptable variation on the 12-bar blues?How to identify the chord progression and a specific chordWhat is it about the blues chord progression that makes the blues feel?Parallel chord substitutionsChord progression conveniency depending on the harmonic rhythmuse of 4/2 chord more compelling than root position?Are there any cases where the ii chord is replaced by the Neapolitan chord in the Circle of Fifths Progression?
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Is this an example of a Neapolitan chord?
Do Neapolitan chords exist in modes with a minor second?Tritone substitution in a ii-V-I progression and chord namesIs this an 8 bar blues chord progression? How to know if it is or isn't?Is this an acceptable variation on the 12-bar blues?How to identify the chord progression and a specific chordWhat is it about the blues chord progression that makes the blues feel?Parallel chord substitutionsChord progression conveniency depending on the harmonic rhythmuse of 4/2 chord more compelling than root position?Are there any cases where the ii chord is replaced by the Neapolitan chord in the Circle of Fifths Progression?
The chord that goes on the fourth and fifth bars of my attachment above looks like a Neapolitan chord. (The C at the end of the fifth bar as a passing tone) In fact, the chord progression appears as if it is I - N - V6 in C major. (C - D♭ - G/B) Am I right?
chords chord-progressions
asked Mar 17 at 11:55
Maika SakuranomiyaMaika Sakuranomiya
8121328
|
show 4 more comments
The chord that goes on the fourth and fifth bars of my attachment above looks like a Neapolitan chord. (The C at the end of the fifth bar as a passing tone) In fact, the chord progression appears as if it is I - N - V6 in C major. (C - D♭ - G/B) Am I right?
chords chord-progressions
asked Mar 17 at 11:55
Maika SakuranomiyaMaika Sakuranomiya
8121328
1
Where are you getting the G/B? I see the B....
– David Bowling
Mar 17 at 12:58
Although it is only written with Bs, it is G/B chord.
– Maika Sakuranomiya
Mar 17 at 12:58
1
How do you know that? That is my question. What comes next?
– David Bowling
Mar 17 at 12:59
1
Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.
– Dekkadeci
Mar 17 at 13:28
1
@MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".
– Dekkadeci
Mar 17 at 13:35
|
show 4 more comments
The chord that goes on the fourth and fifth bars of my attachment above looks like a Neapolitan chord. (The C at the end of the fifth bar as a passing tone) In fact, the chord progression appears as if it is I - N - V6 in C major. (C - D♭ - G/B) Am I right?
chords chord-progressions
asked Mar 17 at 11:55
Maika SakuranomiyaMaika Sakuranomiya
8121328
The chord that goes on the fourth and fifth bars of my attachment above looks like a Neapolitan chord. (The C at the end of the fifth bar as a passing tone) In fact, the chord progression appears as if it is I - N - V6 in C major. (C - D♭ - G/B) Am I right?
chords chord-progressions
chords chord-progressions
asked Mar 17 at 11:55
Maika SakuranomiyaMaika Sakuranomiya
8121328
asked Mar 17 at 11:55
Maika SakuranomiyaMaika Sakuranomiya
8121328
asked Mar 17 at 11:55
Maika SakuranomiyaMaika Sakuranomiya
8121328
asked Mar 17 at 11:55
Maika SakuranomiyaMaika Sakuranomiya
8121328
asked Mar 17 at 11:55
Maika SakuranomiyaMaika Sakuranomiya
8121328
8121328
1
Where are you getting the G/B? I see the B....
– David Bowling
Mar 17 at 12:58
Although it is only written with Bs, it is G/B chord.
– Maika Sakuranomiya
Mar 17 at 12:58
1
How do you know that? That is my question. What comes next?
– David Bowling
Mar 17 at 12:59
1
Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.
– Dekkadeci
Mar 17 at 13:28
1
@MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".
– Dekkadeci
Mar 17 at 13:35
|
show 4 more comments
1
Where are you getting the G/B? I see the B....
– David Bowling
Mar 17 at 12:58
Although it is only written with Bs, it is G/B chord.
– Maika Sakuranomiya
Mar 17 at 12:58
1
How do you know that? That is my question. What comes next?
– David Bowling
Mar 17 at 12:59
1
Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.
– Dekkadeci
Mar 17 at 13:28
1
@MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".
– Dekkadeci
Mar 17 at 13:35
1
1
Where are you getting the G/B? I see the B....
– David Bowling
Mar 17 at 12:58
Where are you getting the G/B? I see the B....
– David Bowling
Mar 17 at 12:58
Although it is only written with Bs, it is G/B chord.
– Maika Sakuranomiya
Mar 17 at 12:58
Although it is only written with Bs, it is G/B chord.
– Maika Sakuranomiya
Mar 17 at 12:58
1
1
How do you know that? That is my question. What comes next?
– David Bowling
Mar 17 at 12:59
How do you know that? That is my question. What comes next?
– David Bowling
Mar 17 at 12:59
1
1
Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.
– Dekkadeci
Mar 17 at 13:28
Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.
– Dekkadeci
Mar 17 at 13:28
1
1
@MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".
– Dekkadeci
Mar 17 at 13:35
@MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".
– Dekkadeci
Mar 17 at 13:35
|
show 4 more comments
2 Answers
2
active
oldest
votes
Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.
edited 2 days ago
Glorfindel
1,30011218
answered Mar 17 at 13:30
ttwttw
8,928932
That's right! C can not only be a passing tone as the attachment I've uploaded, but also a Cadential 6/4 in some cases.
– Maika Sakuranomiya
yesterday
add a comment |
I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.
Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.
answered Mar 17 at 13:33
DekkadeciDekkadeci
5,49621420
add a comment |
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2 Answers
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active
oldest
votes
2 Answers
2
active
oldest
votes
active
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active
oldest
votes
Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.
edited 2 days ago
Glorfindel
1,30011218
answered Mar 17 at 13:30
ttwttw
8,928932
That's right! C can not only be a passing tone as the attachment I've uploaded, but also a Cadential 6/4 in some cases.
– Maika Sakuranomiya
yesterday
add a comment |
Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.
edited 2 days ago
Glorfindel
1,30011218
answered Mar 17 at 13:30
ttwttw
8,928932
That's right! C can not only be a passing tone as the attachment I've uploaded, but also a Cadential 6/4 in some cases.
– Maika Sakuranomiya
yesterday
add a comment |
Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.
edited 2 days ago
Glorfindel
1,30011218
answered Mar 17 at 13:30
ttwttw
8,928932
Yes, it's a Neapolitan chord. Because of the arpeggio, it's not in the usual position (F-A♭-D♭-F). The last three notes are D♭-C-B which is a common melodic figure over a N6-V transition.
edited 2 days ago
Glorfindel
1,30011218
answered Mar 17 at 13:30
ttwttw
8,928932
edited 2 days ago
Glorfindel
1,30011218
edited 2 days ago
Glorfindel
1,30011218
edited 2 days ago
Glorfindel
1,30011218
1,30011218
answered Mar 17 at 13:30
ttwttw
8,928932
answered Mar 17 at 13:30
ttwttw
8,928932
answered Mar 17 at 13:30
ttwttw
8,928932
8,928932
That's right! C can not only be a passing tone as the attachment I've uploaded, but also a Cadential 6/4 in some cases.
– Maika Sakuranomiya
yesterday
add a comment |
That's right! C can not only be a passing tone as the attachment I've uploaded, but also a Cadential 6/4 in some cases.
– Maika Sakuranomiya
yesterday
That's right! C can not only be a passing tone as the attachment I've uploaded, but also a Cadential 6/4 in some cases.
– Maika Sakuranomiya
yesterday
That's right! C can not only be a passing tone as the attachment I've uploaded, but also a Cadential 6/4 in some cases.
– Maika Sakuranomiya
yesterday
add a comment |
I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.
Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.
answered Mar 17 at 13:33
DekkadeciDekkadeci
5,49621420
add a comment |
I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.
Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.
answered Mar 17 at 13:33
DekkadeciDekkadeci
5,49621420
add a comment |
I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.
Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.
answered Mar 17 at 13:33
DekkadeciDekkadeci
5,49621420
I'd say yes: Beethoven is kind of on the nose here and outlines a D flat major chord in the 5th bar of the excerpt. It's followed by dominant-function leading tones. Right after that and outside of the excerpt, G's play, and then the rest of the piece continues with C minor chord figurations. Sounds like a Neapolitan chord that properly resolves to me.
Interpretation ambiguity can still reign, though: the 3rd and 4th bars of that excerpt can easily be interpreted as outlining an F minor chord, IMO, as long as you ditch the E in the third bar early in.
answered Mar 17 at 13:33
DekkadeciDekkadeci
5,49621420
answered Mar 17 at 13:33
DekkadeciDekkadeci
5,49621420
answered Mar 17 at 13:33
DekkadeciDekkadeci
5,49621420
answered Mar 17 at 13:33
DekkadeciDekkadeci
5,49621420
5,49621420
add a comment |
add a comment |
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1
Where are you getting the G/B? I see the B....
– David Bowling
Mar 17 at 12:58
Although it is only written with Bs, it is G/B chord.
– Maika Sakuranomiya
Mar 17 at 12:58
1
How do you know that? That is my question. What comes next?
– David Bowling
Mar 17 at 12:59
1
Thanks for the link! For other viewers, that link is the Liszt piano transcription of Beethoven's Symphony No. 3 in E Flat Major "Eroica", and this excerpt is of the funeral march movement's transition from the trio back to the minor-key outer march section.
– Dekkadeci
Mar 17 at 13:28
1
@MaikaSakuranomiya - No, I mean "outer march"-"trio"-"outer march", with the trio being the "inner march".
– Dekkadeci
Mar 17 at 13:35